A Venetian Fairytale

Having visited Italy at least twice a year for work over the last decade Alan and Susan returned after a three year interlude whilst working on commissions in Oman to studying in Florence, where Alan participated in a challenging portraiture course at the renowned Charles H. Cecil studio.

Fast forward a year later and Alan and Susan found themselves back in their beloved Venice for 5 nights, this time with Susan’s mother and sister coming along for the adventure too. While they stayed in the beautiful Carnival Palace hotel, Alan and Susan were overjoyed to stay with dear family friend Nai who had taken Susan under her wing when she was in her early twenties and lived in Venice with her two children Louise and Oliver for several years.

 

Portrait of Nai, by Alan Reed
Portrait of Nai, by Alan Reed

Keen to continue to develop his new skills in portraiture, Alan asked our friend Nai Fasano if she would sit for him while he painted her. What better way to preserve the memory of their dear old friend than with a portrait? Scanning through his trusty Italian pocket sketchbooks today, it’s clear to see how much Alan’s confidence had grown since his first tentative classes learning the art of portraiture and the sight-size method just a year previously.

Having forged an internationally-successful career as a watercolourist, working with oils and swapping figures in the distance of his cityscapes for the finer details of a person’s hair, skin and facial features was undoubtedly a new challenge.

 

Giardini della Biennale
A sketch of Giardini della Biennale

During their trip to Venice in September 2012 the family visited some of the city’s best known landmarks: an afternoon at the Palazzo Venier dei Leoni, where 20th century modern art devotee Peggy Guggenheim lived, now the location of her museum, an unfinished 18th century palace on the Grand Canal in the Dorsoduro sestiere of Venice.

They enjoyed a stroll through the Giardini della Biennale (Biennale’s Gardens), supper at the Gam-Gam Restaurant in the Jewish Quarter and coffee beneath the beautiful architecture of  before pausing at a rather special, significant place for both Alan and Susan…

A sketchbook painting to gather reference of Susan sitting in St Marks
A sketchbook painting to gather reference of Susan sitting in St Marks

Hanging proudly on their staircase at home in Northumberland, Alan’s portrait of Susan sitting inside St Mark’s speaks louder than perhaps any of the other pieces of artwork in the house. It was here Susan found her salvation – a beautiful, completely unexpected moment where she felt the presence of God and thus began her rebirth as a Christian. As always, Alan would sketch fervently, often painting on location come rain or shine to gather reference for his popular Italian Collection – a series of original paintings and prints of Italy.

 

 

Girl in the Red Coat
Girl in the Red Coat, Venice.

On this particular trip Alan took reference of St Mark’s Square on a rainy winter’s day and decided to add his granddaughter Emily, in a vivid red coat into the crowd of people scurrying across the piazza keen to escape the impending snow shower, similar to a painting he had completed of Newcastle’s iconic Grey Street. Unintentionally reminiscent of the 1973 Donald Sutherland film “Don’t Look Now”, in which a married couple grieving the recent death of their daughter, often pictured in a red coat visit Venice, “Girl in the Red Coat” went on to become one of Alan’s most popular giclee prints after the original had sold.

Venice in the Rain by Alan Reed
Venice in the Rain by Alan Reed
A sketchbook painting on-location in Venice by Alan
A sketchbook painting on-location in Venice by Alan

 

A beautiful balance of inspiring architecture, reflection, gaining reference for future paintings and a chance to enjoy a trip away with family, Alan and Susan were about to embark on a brand new adventure that brought the business and Italy closer than ever.

To Umbria Again: The First Reedart Painting Holiday

After the hustle and bustle and excitement of launching their first overseas exhibition in Marostica, Italy in November 2005 – an undisputed highlight of Alan’s career – Alan and Susan were already planning another exciting new aspect of Alan Reed Art : painting holidays in Italy.

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Alan and Susan had kept in touch with Chrissie and David after first being introduced to the couple through a commission request to paint their cottages and the view from Casa San Gabriel in Umbria two years previously. During their last visit, they had talked about bringing guests to the cottages for painting holidays and after falling in love with the area Alan and Susan were so excited at the prospect of sharing this hidden gem with others that they decided to give it a go.

Painting on location in Spello with Reedart Painting Holidays Italy
Painting on location in Spello

The first Reedart Painting Holiday in Italy took place in April 2006 at Casa San Gabriel. Alan and Susan were joined by another couple from the North East called Kevin and Nicola Brown and a young man from Canada called Matthew. With a beautiful, traditional Italian cottage at Casa San Gabriel to themselves furnished with everything you could ever need, the group spent a week exploring the hilltop towns of Cortona, Gubbio and Spello with their sketchbooks in hand to paint on-location under Alan’s expert teaching.

Enotecca in Spello
Guests enjoying a wine tasting evening at an Enotecca in Spello

Alan and Susan took their new role as tour guides in their stride, confident that their guests would fall in love with this beautiful part of Italy and really develop their painting skills. It was important for Alan and Susan to ensure that non-painting guests still had a memorable holiday too and so they took trips to Fabriano’s famous paper mills, local shops, beauty spots, cultural landmarks – and even bagging an invite to a local gentleman’s 61st birthday street party in Spello where they all enjoyed a simple lunch of freshly baked bread, broad beans, Pecorino cheese and white wine together, sampling some real local Italian culture.

 

A mid-afternoon snap of Assisi on a Reedart Italian Painting Holiday
A mid-afternoon snap of Assisi

It was little things like this that added a sense of authenticity and true value to the very first Reedart Painting Holiday – not to mention the confidence Alan and Susan instilled in their guests as they drove from town to town or picked out local restaurants to dine at, having explored the area at length themselves.

All too soon the week came to an end and their guests went their separate ways – full of praise for Alan, Susan and their “home from home” cottages at Casa San Gabriel in Umbria. Before heading back to Newcastle, Alan had a number of appointments to make while in Italy. Word had spread about the painting of Casa San Gabriel he was commissioned to paint another holiday home in the next valley which led to a number of other new commissions of the area.

Sunday evening life in L'Aquila
Sunday evening life in L’Aquila

One memorable stopping point on this trip in particular was to L’Aquila in central Italy for three nights where Alan would be sketching for reference for a another potential commission. Describing the town as delightfully “olde worlde”, L’Aquila isn’t on the tourist trail and so the locals certainly took Alan and Susan to their hearts. L’Aquila is the capital of the hilly Abruzzo region and during their stay Alan and Susan ventured to the Monti della Laga National Park to do some exploring.

 

Gran Sasso and the chorus of crocuses
Gran Sasso and the chorus of crocuses

One memorable stopping point on this trip in particular was to L’Aquila in central Italy for three nights where Alan would be sketching for reference for a another potential commission.

Describing the town as delightfully “olde worlde”, L’Aquila isn’t on the tourist trail and so the locals certainly took Alan and Susan to their hearts. L’Aquila is the capital of the hilly Abruzzo region and during their stay Alan and Susan ventured to the Monti della Laga National Park to do some exploring.

The magnificent Gran Sasso
The magnificent Gran Sasso

Neither could forget how the snow was piled at least ten foot high either at the side of the road as they drove to the Gran Sasso – the centrepiece of the Gran Sasso e Monti della Laga National Park. Despite the mountains being covered in snow, Alan and Susan were taken aback to find the air was warm and spring had sprung, covering the ground in beautiful purple crocuses.

Despite their numerous trips to Italy over the past decade, it would seem Italy still had a few surprises up its sleeve for Alan and Susan to discover.

A Tale of Two Cities

Venice…

Moonlight shone brightly on the gently rippling waters of the Orseolo Basin, illuminating a shoal of gondolas tied together for the evening; a picture-perfect scene young artist Alan Reed would later capture during his stay at the historic Hotel Cavalletto on the family’s long-awaited return to Venice in 1994.

His watercolour study of the hotel itself was bought by one of the North East’s most renowned opera singers Graeme Danby, signalling the beginning of something special for the 14 paintings Alan painted on this return trip to Venice.

La Gondola, Venice Limited edition Print
The view from our hotel gave us a wonderful view of the gondolas berthed for the night in the tiny canal below. The sweeping composition gave the impression of them being like a shoal of fish darting through the water.

Staying at the Hotel Cavalletto for three days before moving on to Marghera in the suburb of Venice to stay with Susan’s friends Franca and her family, it was here Alan began to entrench himself in the Venetian way of life, often stealing himself away for a morning’s painting by getting the bus into Venice at 7am before returning for lunch at one o’clock on the dot – an Italian custom. The pace of life in Venice can be wonderfully sedate as Susan Reed knows to well, who went from rushing into town on the bus for the school run to waiting patiently to be sailed down the Grand Canal in a Vaparetto.

A scene from Alan’s pocket sketchbook filled with mementos of Venice

Reedart Holidays in Italy

Reedart Holidays in Italy

Day trips to fair Verona, morning service at Chiesa Evangelica di Padova and boat trips to beautiful Burano to see its famous coloured houses, to Treviso and the coastal town of Chioggia with wife Susan and two children Louise and Oliver provided Alan with an abundance of inspiration for his artwork and fond memories for the young family.

Squeezing as much sightseeing as they could into their fourteen day trip, Alan’s mind raced with visions of this enigmatic, unique city on his return

Edinburgh…

A city famed for its iconic architecture and the next big city to his home in Newcastle, Alan would often find himself on a train heading north and spend the day exploring Edinburgh and capturing its timeless beauty in his pocket sketchbooks….

Capturing the hustle and bustle of the crowds of Christmas shoppers on Princes Street on a late winter’s afternoon, or the dappled sunlight that bathes the old stonework of the Grassmarket, Alan’s artwork proved very popular with tourists and residents alike. Given the couple’s love of Venice, it’s no surprise that the Valvona & Crolla Ristorante and Deli in Edinburgh became one of their favourite restaurants to visit during their frequent trips to Edinburgh. Scotland’s oldest Delicatessen and Italian Wine Merchant; their visits were a dream come true for Susan who could buy fresh fruit and vegetables flown in from Milan that morning and pick up gourmet goodies that the family used to enjoy whilst living in Venice.

Alan Reed
One of my favourite paintings of the city of Edinburgh which captures the hustle and bustle of a late winter’s afternoon on Princes Street. Carefully laid out washes create a sense of depth and light. Limited edition Print of Princess Street, Edinburgh

The relationship between Edinburgh and Venice goes back to the 18th century when Edinburgh continued to expand rapidly. The medieval part of Edinburgh, now known as the Old Town was no longer large enough to contain the city’s rapidly growing population. A solution to the problem was sought in the form of a public competition inviting plans to develop the city. The young architect James Craig won – his plan being an elegant Neo-classical development located to the north of the castle. Building work carried out between 1767 and 1830 became known as the New Town and was noted as a huge success. The result was one of the most attractive cities in the whole of Europe, and Edinburgh was soon dubbed the “Venice of the North”.Reedart Holidays in Italy

A Tale of Two Cities 

A chance meeting with his father and his father’s agent during a trip to Edinburgh later led to an exhibition of his work titled A Tale of Two Cities at the Malcolm Innes Gallery, Edinburgh in 1995.

It was here that Alan drew upon the similarities between Venice and Edinburgh, two very distinctive cities in terms of architecture, but both equally as unique and enigmatic as one another.

Showcasing his series of paintings from his trip to Venice a year earlier and some of his most popular Edinburgh street scenes the exhibition remains one of Alan’s favourite exhibitions he has curated throughout his career.

As the exhibition opening date drew closer, Alan had planned to invite guests to a preview evening – only for their plans to be interrupted thanks to a postal strike, meaning very few people actually received their invitations to the event. In a twist of fate, this is when Susan joined the business and suggested they schedule an exhibition of the paintings in their home for those who didn’t receive their invites in time. Working tirelessly to call customers past and present, design new invitations and organise the event – A Tale of Two Cities part two was the start of a truly special working relationship for the couple, and an opportunity for families to reconnect as Susan reconnected with her father’s cousin Dr Alan Rutherford who was working in Edinburgh and spotted Alan’s artwork in the Malcolm Innes Gallery!

As their story unfolds, Venice and Edinburgh continue to be two cities that define Alan’s artwork. Featured in various publications and exhibitions, Venice and Edinburgh are enjoyed the world over…

Painting Holiday May 2015

The venue this year was the recently restored church Chiesa del Carmine, a building that was in ruins when Alan first painted it on location in 2004. We never dreamed that one day we would have the privilege of staying in, what is now, a beautifully restored building with breathtaking views and landscaped gardens.

The accommodation itself is stunning and is the perfect place to chill out and relax. There are plenty of subjects to paint in and around the property (which we did) but we also enjoyed a couple of day trips out and about.

The first was the small hilltop town Todi, just south of Perugia in Umbria. We based ourselves in the piazza. Alan and the painting guests sketched the architecture in watercolour before enjoying a delicious pizza at a nearby restaurant.

Alan Reed Painting Holidays
Sketchbook Watercolour by Alan Reed of Todi